112dB Cascade v1.3.0 [WiN]

• Writer: 112dB
• Provider: Crew R2R
• Product: Cascade
• Model: 1.3.0 Incl Patched and Keygen

With Cascade we provide you with a totally new playground, creating sounds you can by no means create earlier than. Cascade is predicated on a fancy delay community that may densify a sound as much as 5832 occasions. That doesn’t imply {that a} sound you create with cascade will per definition sound ‘denser’. It may also be extra lush and spacious, relying on the settings you select. What makes Cascade actually distinctive nevertheless is {that a} sound can develop over time, including additional dimensions to it. And furthermore: that you may choose essentially the most fascinating a part of this growth course of because the half you need to hear. The presets will provide you with a good suggestion of what Cascade is able to. However don’t let your self be restricted by our solutions. Let your creativity stream, and create your individual mysterious soundscapes, dense orchestral sounds, or otherworldly strings. Or one thing extra ‘industrial’ or ambient’ if that’s what you might be after.

The making of Cascade was impressed by the work of Austrian composer Peter Ablinger. He experimented within the late 1980’s with sound densification utilizing 12 tape decks. Sound was recorded and performed, recorded and performed, and so forth, till coloured static noise itself was the end result. In 1993-94 Peter Ablinger’s idea of sound densification was refined by Peter Bðhm, Wolfgang Musil (ELAK, College of Music and Performing Arts, Vienna) and Thomas Musil (IEM, Institute of Digital Music and Acoustics, Graz). Because of the IRCAM Sign Processing Workstation (ISPW), that contained an on the time unbelievable highly effective audio processor may for the primary time sound densification be achieved in actual time. We took these early ideas to the following degree: an precise synthesizer that may ‘condense sounds in time’. The output of Cascade reveals solely a marginal resemblance to these revolutionary sound experiments although. The sound variation in a synthesizer nevertheless is much extra delicate than the completely different sounds performed by for instance a violin. A synthesizer has no apparent ‘successive occasions’. It’s essential to create them by skillfully adjusting the envelope or the LFO. Fortunately our goal wasn’t to duplicate. Coloured static noise wasn’t actually what we have been after. What we needed was to take this intriguing idea to the realm of synthesis to open up a whole new sonic territory. In our opinion it’s exactly the subtlety that makes sound densification such an fascinating addition to the fashionable sound repertoire. And naturally, we couldn’t resist the temptation so as to add ‘a bit of spice’, most significantly the chance to modulate the cascade synthesis itself. This makes it doable to create sounds with a singular character. If you wish to evaluate it to one thing anyway, we’d say: a brilliant fats refrain ensemble.