Evolution Roundwound Bass is supplied basic J-style electrical bass that features round-wrapped strings for a vibrant, outlined tone that cuts by way of the combo.
We developed this library in collaboration with Rosewood Recording Agency, one amongst Utah’s most revered recording studios. Man Randle, the proprietor and recording engineer at Rosewood Recording Agency, makes use of a variety of analog audio gear for recording, along with the Neotek analog console, tube preamps, basic compressors, and totally different conventional analog items. Whereas we equipped a direct bass signal as is, we moreover included an amplified signal that gives punch to the assault of notes, and likewise will enhance the saturation and stability of the bass.
Bass samples had been recorded by seasoned bassist Bill Cushenberry. Born in Burbank, California, Bill’s musical career began early and swept him across the globe and inside the USA. For a number of years, he was a stronghold at reside exhibits and inside the studio inside the west, along with inside the bands Osmond Brothers, Donny and Marie. He performs a great deal of basses, nonetheless this specific bass has been his personal favorite for over forty years.
Evolution Roundwound Bass is supplied with our Evolution guitar engine, which provides you with a variety of settings: a personalized mapping system, tuning the tone and playability of the instrument, along with a strong set of outcomes. The library incorporates many manufacturing unit presets ready to utilize conventional and trendy bass tones that match correct into the combo.
Key Choices:
• Constructed-in outcomes engine for instantly-usable bass tones.
• Adjustable determine place using our proprietary bodily modeling experience.
• Extremely efficient mapping system that lets you set the best way you want to set off articulations, using conditions equivalent to velocity ranges, MIDI CCs, latching and non-latching keyswitches, and additional.
Sampling specs
• 21.9 GB (compressed to 9.9 GB using the lossless NCW audio format) of 24-bit samples.
• Articulations equivalent to sustains, palm mutes, mutes, and pure harmonics in fingerstyle and picked having fun with sorts along with slapping, popping, and effectivity outcomes like string slaps, slides, and way more.
• MIDI articulations for quick octaves, grace notes, buzz trills, whole-step slides, whole-step hammer-ons, and slides (velocity-based and tempo-synced).
• Legato samples for slides, hammer-ons, and pull-offs.
• The articulations have 3 dynamics, 2 determine directions (when related), and 2x round-robin.