OverTone.DSP.AF2-10.v2.4.1– Common graphic equalizer with a variety, zero delay, modeled after an analog machine and with an FFT show. Many digital equalizers, together with some widespread digital workstations, can have a synthetic and unintelligible filter response, particularly at excessive finish settings. That is typically cited as a cause for describing the “plastic” sound of some EQs. The standard resolution to this drawback could be to both add extra CPU assets or add extra latency or different artifacts. The AF2-10 makes use of progressive filtering algorithms to precisely simulate the pure sound of analog designs, even at near-capacity pattern charges, with out requiring heavy CPU or latency.
OverTone.DSP.DYN500.v2.3.0 – Styled after the 500-series module format, the DYN500 gives comfortable compression mixed with mild tape saturation. As a result of its low CPU consumption, the plug-in can be utilized on every channel as a dynamics processor, each mono and stereo, whereas offering processing on the degree {of professional} consoles.
OverTone.DSP.DYN4000.v2.3.0 – emulation of some of the well-known British recording consoles, DYN4000 consists of compressor/limiter and expander/gate sections
OverTone.DSP.EQ500.v2.3.0 is a flexible three-band parametric equalizer that makes use of our analog modeling filtering algorithms to precisely replicate the pure sounding analog response filter with out requiring excessive pattern charges or costly upsampling.
OverTone.DSP.RVB500.v2.3.0 is an algorithmic sheet reverb able to making a wealthy number of results, with intuitive management and low laptop useful resource necessities.
