The Mercury-4 is an in depth emulation of one of the crucial sounding and quirky polyphonic synthesizers of the late Seventies, the Roland Jupiter-4. That is the rarest and most sonically distinctive of the legendary Jupiter sequence, and we’ve put a whole lot of effort into recreating the delicate (and never so) nuances and character of this beloved traditional. Each facet of the Mercury-4 was expertly modeled after a classic Jupiter-4 initially owned by Greg Hawkes of legendary 80s new wave band The Vehicles and performed on their 1981 double platinum album Shake It Up. In line with Greg, Mercury 4 appears like my outdated Jupiter! It’s good to have it again.”
Description Continued
The Jupiter-4 had its drawbacks, together with restricted patch storage, solely 4 polyphonic voices, and the burden of the boat’s anchor. Cherry Audio’s Mercury-4 improves upon the design of the unique, providing 16-voice polyphony, infinite patch storage, velocity sensitivity, MPE assist, and extra. We even paired it with a improbable mannequin of the traditional Roland House Echo tape delay.
Mercury-4 Options
Genuinely simulated oscillator with auxiliary oscillator.
All traits of the filter are simulated, together with a robust low-frequency resonance.
As much as 16-voice polyphony.
Over 400 presets programmed by business veterans.
Precisely reproduced distinctive arpeggio part with tempo sync.
Rigorously modeled big selection LFO modulation with “inverted” modulation traits.
Drift management for elevated analog realism.
Precisely reproduced stereo ensemble impact.
Heat and natural tape echo with a number of reverb modes.
Synchronized with LFO tempo.
Disabled unison mode.
One-key chord reminiscence mode.
Extremely optimized encoding for prime efficiency with ultra-low CPU load.
Person configurable resampling management.
Enhanced UI magnification with one click on.
Complete MPE assist.
Full MIDI management and DAW automation for all controls.
All traits of the filter are simulated, together with a robust low-frequency resonance.
As much as 16-voice polyphony.
Over 400 presets programmed by business veterans.
Precisely reproduced distinctive arpeggio part with tempo sync.
Rigorously modeled big selection LFO modulation with “inverted” modulation traits.
Drift management for elevated analog realism.
Precisely reproduced stereo ensemble impact.
Heat and natural tape echo with a number of reverb modes.
Synchronized with LFO tempo.
Disabled unison mode.
One-key chord reminiscence mode.
Extremely optimized encoding for prime efficiency with ultra-low CPU load.
Person configurable resampling management.
Enhanced UI magnification with one click on.
Complete MPE assist.
Full MIDI management and DAW automation for all controls.